Exhibitions 2005
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Maxfield
Parrish: Master of Make-Believe
Sept. 28- Nov. 27, 2005
This
fall, the Telfair is delighted to present an exceptional exhibition
of the work of Maxfield Parrish (1870-1966), one of the best-known
and beloved American artists. During his lifetime, Parrish enjoyed
an immense level of popular success due to his consummate mastery
of the crafts of painting and illustration, and to the newly developed
high-quality color printing techniques that aided the dissemination
of reproductions of his work. The artist committed himself to the
popularization and democratization of art, viewing beauty as a form
of social improvement.
Parrish
studied at the prestigious Pennsylvania Academy of the Fine Arts,
melding his fine and applied art skills into his own imaginative
style. He established a highly successful career based on the broad
appeal of his delightful imagination, his polished technique, and
his unique understanding of mass marketing. Parrish’s paintings
often present pristine, arcadian landscapes enveloped in brilliant
light, populated by youthful figures that seem to inhabit a rarefied,
timeless world.
This
exhibition features over 80 works of superlative design and sumptuous
beauty, assembled from diverse collections. It includes the artist’s
signature paintings such as Daybreak (1922), photography studies,
celebrated book illustrations, and stunning original murals such
as those commissioned by Gertrude Vanderbilt Whitney for the studio
of her New York mansion, including the rarely exhibited 18 ½
foot North Wall mural. Supplemental objects include Parrish’s
own props, photographs, and set models used to stage the scenery
for his fantastic work, lending insight into his working methods.
Maxfield
Parrish: Master of Make Believe was organized by The Trust
for Museum Exhibitions in Washington, D.C., with the assistance
of Ms. Alma Gilbert, director of the Cornish Colony Museum and a
connoisseur of Parrish’s work. The exhibition is accompanied
by a fully-illustrated catalogue.
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